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Undergraduate Theses

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    Kilig factor: The relationship-oriented themes in a very special love film series
    Calar, Helen Grace A.; Donguines, Khristian Mark (Division of Humanities, College of Arts and Sciences, University of the Philippines Visayas, 2015-05)
    The research looks into the success of Filipino romantic comedy blockbuster films from another perspective, which is the kilig factor, by analysing the relationship-oriented themes embedded in the films. Kilig is defined as the flutter of excitement caused by romance while relationship- oriented themes refer to the verbal and non-verbal portrayals of romance by the lead characters. The subject of the research is the romantic comedy blockbuster film series A Very Special Love shown to Filipino audiences in 2008 to 2013. The objectives of the study were analyze the relationship-oriented themes presented in the films and the level of kilig it achieved. This study is grounded on the concepts of Berio’s SMCR Model of Communication by David K. Berlo, specifically giving emphasis on the two factors under Message which are the element and treatment to analyze the content of the film. This study used a descriptive research design and employed content analysis as the method. In order to analyze the content of the film series, the researchers formulated a codebook that was derived from the concept of relationship-oriented themes developed by Johnson and Holmes (2009) and the “Levels of Kilig” by Director Olivia Lamasan of Star Magic. The results of the content analysis shows that there are a total of 231 occurrences of relationship-oriented themes in the three films combined, and the second film You Changed My Life got the highest tally of 96 counts. In terms of relationship-oriented themes, gazing and smiling got the most number of occurrences with 43 instances. In conclusion, the film series A Very Special Love reached the highest level of kilig, Level 3 - kilig na nagpapatili, which theoretically proves that the film series is a successful Filipino romantic comedy blockbuster film.
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    Philippine Armed Forces different response towards different communists insurgents in the Island of Panay a comparative study on the 47th Infantry Battalion and 32nd Civil Relations Unit
    Brillantes, Jarrah S.; Tanate, Marianie C. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2008-03)
    Communist insurgency is one of the most long withstanding national security problem in the Philippines. There has been no ebb in the counter insurgency measures of the government since the Marcos regime to the present. However, the changes in the communist organization brought about institutional changes on the military’s part. In the current counterinsurgency operations by the armed forces units, there is now an emphasis on unarmed approaches such as civil-military operations, propaganda, psychological warfare and socio-civic activities, instead of just solely conducting armed approaches. Linkages, coordination and collaboration with the local government units in promoting development became significant elements in counterinsurgency operations. This paper examines the different kinds of approaches undertaken by the 47th Infantry Battalion at Calinog, Iloilo and the Civil Relation Service of the Armed Forces of the Philippines (CRSAFP) in Camp Delgado, Iloilo City toward communist insurgents. The 47th IB and the 32nd CRU are currently conducting a triad approach in the counterinsurgency operations. This triad approach includes combat operations, intelligence and socio-civic operations. In delegating the command from commanding officer to the operating units, the chain of command is well observed and followed. In addressing the insurgency problem, the AFP units have high regards toward local government authorities. Education, training and years in service as well as coordination and cooperation with local civil counterparts affect their competence in operations undertaken.
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    A study on the preference of the UPV Social Science student between violence and non-violence as a progress on change in the Philippine society
    Berlin, Sharon Joy (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 1983-04)
    The study was conducted among 100 students of the Division of Social Sciences, University of the Philippines in the Visayas, Iloilo City. It attempted to answer the following questions: 1. Violence and Non-violence: which would the students prefer in changing society? 2. Is their preference related to some observable factors like sex, religiousity and family income? 3. What is the attitude of students towards the present government? The respondents were almost unanimous (94%) in their belief that Philippine society needs social changes. Moreover, they perceived the monopoly of power by the few’ as the primary problem of the nation. In the question of political preferences between the different methods of social transformation a considerable number (59%) preferred the use of both violent and nonviolent conduct in effecting changes. When factors like sex, religiousity and family income, were subjected to Chi —Square test, the result is as follows: 1. Female students were not politically less violent than their male counterparts. 2. The more religious the student the less likely he is violent. 3.High family income do not necessarily produce a preference on non-violent method. As to the third question, "What is the attitude of students towards the present Government?", there was a high (91%) percentage that the present government works for the service of the few. A moderate number (52%) believed that the government can not solve the country’s problem, but in terms of the national leadership, a considerable number (61%) categorized it as fairly responsive.
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    Continuity and change: A generational comparison of the social representations of Martial Law in the Philippines (1972-1986)
    Bandoy, Laarni Lee V.; Mecenas, Eunice Marinelle Pamela C. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2023-07)
    A nation’s understanding of past events has implications on its national identity since it provides a point of commonality and continuation especially for nationally significant events. For the Philippines, this would be the Martial Law Period (1972-1986). Social psychological inquiries into the representation of military7 dictatorship were explored through the construct of collective memories, and previous studies on the representations of history have found that they arc aligned with Mannheim’s theory of generational effects. The current study intended to explore the generational differences in the social representations of Martial Law in the Philippines using a structural approach to Moscovici’s Social Representation Theory. Employing a mixed-method approach, this study made use of the Hierarchical Evocation Model to analyze the data collected. The findings of this study show that there is both continuity and change in the social representations of the two generational cohorts who experienced and did not experience living through the Martial Law Period. The social representations of both cohorts were grounded on concepts like politics, power, and social values such as human rights and freedom. One difference was how their social representations of the Martial Law Period were structured since the younger cohort lacked a central core, indicating a gradual change of social representations of the period over time. The way the period was objectified also differed, as the older cohort mentioned a larger selection of socio-economic changes during the period, and the younger cohort mentioned concepts of democracy and the EDSA Revolution. This study supports the generational effects conceptualized by Mannheim (1952), reflects the convergence of social representations of two generations through time as observed by Montiel (2010), and may be useful in identifying the changes in the social representations of the Martial Law Period because of historical distortion.
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    Court-annexed mediation: Fair and speedy administration of justice in the Philippines
    Baes, Marty V. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2010-04)
    The Philippine Judicial System experiences a problem characterized by clogged court dockets. Courts are having a hard time in resolving the cases brought before them. Court-annexed mediation (CAM) was adopted to supplement the traditional due process (DPL) method of resolving cases. To understand how CAM speeds up the administration of justice, the CAM and DPL method was compared to determine the differences in the length of time and the amount of resources spent for case resolution. Interviews, archival research, and participant observations were conducted. The results revealed that CAM resolve cases in a short period of time involving lesser amount of resources spent compared to the DPL method. Though CAM proves to be a speedy and expedient method of case resolution, it is not yet able to solve the problem of clogged court dockets for the reason that it is still a new method of resolving cases.
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    Signification of Filipino culture in the film RPG Metanoia
    Asuncion, April Angeli B.; Zante, Sheena Angelique D.; Piñano, Von Janatius (Division of Humanities, College of Arts and Sciences, University of the Philippines Visayas, 2014-04)
    This study identifies and describes the different significations of Filipino Culture in the 3D animated film RPG Metanoia. It is supported by Semiotics’ basic claim that media texts are made up of signs, which are composed of two elements: the signifier and the signified. The signifier is the physical representation of a sign that is being perceived by the senses, while the signified are the meanings that are being associated with the sign. The signifiers in this study are the different physical representations of the different Components of Culture according to Panopio et al. (1978), namely, Norms, Ideas and Material Culture. Data were gathered through observation and were further analyzed using content analysis. An interview with the creators of the film was also conducted. Results show that the different significations of Filipino Culture in the film are Norms like Barkada System and Kwentuhan, Ideas which include the value of Pagkamasayahin and Belief in the Supernatural, and Material Culture which is signified by Filipino Clothing.