Signification of Filipino culture in the film RPG Metanoia
| dc.contributor.advisor | Schott, May Belle L. | |
| dc.contributor.author | Asuncion, April Angeli B. | |
| dc.contributor.author | Zante, Sheena Angelique D. | |
| dc.contributor.author | Piñano, Von Janatius | |
| dc.contributor.chair | Andrada, Zoilo S. | |
| dc.contributor.committeemember | Rodriguez, Robert L. | |
| dc.contributor.committeemember | Lacuesta, Frances Marie Y. | |
| dc.date.accessioned | 2025-09-11T05:21:55Z | |
| dc.date.issued | 2014-04 | |
| dc.description.abstract | This study identifies and describes the different significations of Filipino Culture in the 3D animated film RPG Metanoia. It is supported by Semiotics’ basic claim that media texts are made up of signs, which are composed of two elements: the signifier and the signified. The signifier is the physical representation of a sign that is being perceived by the senses, while the signified are the meanings that are being associated with the sign. The signifiers in this study are the different physical representations of the different Components of Culture according to Panopio et al. (1978), namely, Norms, Ideas and Material Culture. Data were gathered through observation and were further analyzed using content analysis. An interview with the creators of the film was also conducted. Results show that the different significations of Filipino Culture in the film are Norms like <i>Barkada</i> System and <i>Kwentuhan</i>, Ideas which include the value of <i>Pagkamasayahin</i> and Belief in the Supernatural, and Material Culture which is signified by Filipino Clothing. | |
| dc.format.extent | xi, 84 p. | |
| dc.identifier.citation | Asuncion, A. A. B., Zante, S. A. D., & Piñano, V. J. (2014). <i>Signification of Filipino culture in the film RPG Metanoia</i> [Undergraduate thesis, University of the Philippines Visayas]. UPV Institutional Repository. https://hdl.handle.net/20.500.14583/455 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14583/455 | |
| dc.publisher | Division of Humanities, College of Arts and Sciences, University of the Philippines Visayas | |
| dc.subject | Signification | |
| dc.subject | Signified | |
| dc.subject | Signifier | |
| dc.subject | Filipino culture | |
| dc.subject | Components of culture | |
| dc.subject | Norms | |
| dc.subject | Ideas | |
| dc.subject | Material culture | |
| dc.subject.agrovoc | culture | |
| dc.subject.agrovoc | Film | |
| dc.subject.agrovoc | Philippines | |
| dc.subject.agrovoc | customs | |
| dc.subject.lcc | LG 993.5 2014 C6 A88 | |
| dc.subject.sdg | SDG 9 - Industry, innovation and infrastructure | |
| dc.subject.sdg | SDG 11 - Sustainable cities and communities | |
| dc.subject.sdg | SDG 15 - Life on land | |
| dc.title | Signification of Filipino culture in the film RPG Metanoia | |
| dc.type | Thesis | |
| thesis.degree.department | College of Arts and Sciences | |
| thesis.degree.grantor | University of the Philippines Visayas | |
| thesis.degree.level | Undergraduate | |
| thesis.degree.name | Bachelor of Arts in Communication and Media Studies |
