UPV Theses and Dissertations
Permanent URI for this communityhttps://hdl.handle.net/20.500.14583/10
Browse
2 results
Search Results
Item Nationalism in the poems selected from Guerrilla Flower, 1946: A postcolonial interpretationAbellar, Archie S. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2003-03-28)Poetry is a creative form for expressing an opinion with regard to a pressing situation. The poems selected in the Guerrilla Flower were manifestations of the perceptions and aspirations of the Filipinos, especially the Ilonggos, caught in World War II. The poems were published in Iloilo City after the Ilonggos experienced the turbulent years of the Japanese occupation. For them, the occupation was unforgettable experience that enabled them to affirm nationalism. However, underlying such affirmation was a tragic flaw, that is, they were complacent and inclined to sympathize with the Americans while being sarcastic and hostile towards the Japanese, even though these two foreign powers were both colonizers and worthy of condemnation. The realities of Philippine society under war led to distinct Filipino views and actions toward these two colonizers. After the process of distillation of the poems, the elements of nationalism, such as language, religion, and historical experience,e were tainted with colonial influences. The use of poetry for historical investigation has a seminal appeal since it maintains the rationale of interdisciplinarity—the fusion of literary criticism and historiography to bring out a better off and encompassing understanding of the complicated nature of present Philippine social reality. The use of postcolonialism as a theoretical tool enables the Filipino people to collocate the abject past and present to determine the effects of colonialism for the future.Item Gahom sa binalaybay: Mayamor's poetry as vehicle of power in the resistance movement of PanayArceño, Angeliza T. (Division of Humanities, College of Arts and Sciences, University of the Philippines Visayas, 2016-12)This study analyzes Mayamor’s poetry as a vehicle of power in the resistance movement of Panay. Using New Historicism and textual analysis, this study identifies the cultural status quo in Mayamor’s poetry as Feudal and describes its manifestations and his mechanisms to counter it by waging a National Democratic revolution through a protracted people’s war and cultural revolution. Mayamor’s poems serve as a vehicle of power in the resistance movement of Panay by using poetry as a tool to teach people about the situation in the countryside of Central Panay, for exposing the cruelty of the state and the ruling class, by being a testimony to the plight of the people, and by inviting them to be allies and join the struggle in the countryside.