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UPV Theses and Dissertations

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AGROVOC Keyword: search.filters.agrovoc.historyCommittee Chair: search.filters.chair.Guilaran, Johnrev B.

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    Synecdochical narrative of the sixth military district: World war II memories in the Balantang Memorial Cemetery National Shrine
    Bachoco, Kathryn Joy E. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2023-07)
    World War II commemorations in the Philippines have been found to be too preoccupied with the role of America in liberating the country from Japan. This research provides an examination of the historical background on the 6MD’s guerrilla resistance in Panay through archival research and key informant interviews with a 6MD WWII veteran, an Ilonggo WWII historian, and members of the Veterans Foundation of the Philippines (VFP)- Sons and Daughters Association (SDAI) in order to analyze the museum exhibit in the Balantang Memorial Cemetery National Shrine. Following the theories of Anthony Cohen and Ellen Badone on the levels and boundaries of group identity, this thesis argues that the remembrance of the Second World War in BMCNS is unique for it follows a theme surrounding the Sixth Military District’s (6MD) commander General Macario Peralta Jr., rather than the common narratives observed in most of the Philippines’ WWII memorials and monuments. Using the information from the 6MD and the PVAO’s Shrine Curator, the act of meaningmaking was done in interpreting the museum exhibit’s narratives. This work argues that because the BMCNS museum employs the person of Macario Peralta as a central figure in representing the history of the war in Panay, the museum is able to create an image of their group’s identity which differs from the common themes of war. This research introduces the concept of a Synecdochical Narrative which is a form of museum representation that utilizes a singular figure in order to elevate and make distinct the identity of the group from which they belong to.
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    Reverse appropriation of the state's cultural nationalism: The case of the Bantoanon indigenous cultural community and the indigenous people's rights act of 1997
    Balla, Airelle Shem E. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2023-07)
    Despite the growing corpus of research on cultural nationalism, the state's role in producing cultural nationalism in a post-colonial and non-western setting and the phenomena from a bottom-up perspective continues to be little explored. This study examines the conditions under which national political leaders pursued policies to protect the cultural heritage of the country's indigenous cultural communities for the aims of political nationalism. From a top- down perspective, the study looks at the context, intent, content, state's implementation and caveats of the Indigenous Peoples Rights Act of 1997. While from the bottom-up perspective, the study looks at how the Bantoanon indigenous community mobilizes and organizes to navigate through state bureaucracy and ‘reappropriate’ the state's nationalism to meet their cultural goals. To examine the phenomena, the study on the textual analysis of existing written primary and secondary sources supplemented with oral interviews of key informants and a review of available literature. It finds that at the national level, political motives partly animated the support of political leaders for indigenous cultural heritage protection policies; that the state used heritage protection policies to pursue its political purposes; and that the support for political leaders for indigenous cultural heritage protection policies was premised on the condition that it did not interfere with the state's interests and diminish the state's rights. While at the Bantoanon indigenous cultural communities level, it finds that despite the caveats embedded in the country's heritage protection policies, the indigenous cultural community could mobilize and assert its rights, thus enabling it to ‘reappropriate’ the state's political institutions to meet its own cultural objectives. This thesis, therefore, argues that the relationship between the two parties under IPRA is mutually beneficial, with both the state and indigenous cultural communities finding some utility in the law.