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UPV Theses and Dissertations

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    The portrayal of violence against women in the films made by Carlos Siguion Reyna
    Balsamo, Ethel (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2002-04)
    This study deals with gender analysis on the portrayal of violence against women in the films made by Carlos Siguion Reyna. Its aims to (1) identify the role of women portrayed in the films made by Carlos Siguion Reyna, (2) to describe the portrayal of violence against women in the films made by Carlos Siguion Reyna, and (3) to explain the portrayal of violence against women in the films made by Carlos Siguion Reyna. The twelve films of Carlos Siguion Reyna were briefly presented to aid for further understanding of the study. Different roles of women portrayed in the films were enumerated and were explained briefly into their portrayal. Violence against women was categorized into physical, sexual, and emotional abuse. Finally, a gender analysis was used to assess the portrayal of violence against women in the films of Carlos Siguion Reyna. In this study, data were gathered through self-analysis of the ten films of Carlos Siguion Reyna with the help of some film reviews of his films. Violence against women is evident in the films of director and it comes in many forms, be it physical, sexual, and emotional abuse. Patriarchy, women seen as sex object are some of the factors that contributed to the violence toward women and it happens in most social groups and all income levels. The ideas and images of women in reality are reinforced in the mass media on which people model their behavior and attitudes. Thus, indeed there is a relationship between the social condition of women in reality and the portrayal of violence against women in films.
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    Consciousness of feminism in selected movies among college students
    Artuz, Shara Mae F.; Reyes, Rika Jane T.; Villa, Mae Anne F. (Division of Humanities, College of Arts and Sciences, University of the Philippines Visayas, 2015-05)
    The study seeks to know the common level of consciousness of feminism in selected films among college students. It anchors on Muzafer Sherifs Social Judgment Theory that sets responses to stimuli along the latitudes of acceptance, non-commitment and rejection. Parallel to this theory, consciousness of feminism is measured as high level, which means the audiences accept and identify the concept of feminism being present in the films included in this study; medium level, which means the audiences find the concept of feminism objectionable in the films included in this study; and low level, which represents that audience does not accept and identify the concept of feminism being present in the films included in this study. The study employs a survey questionnaire given to 353 students of the University of the Philippines Visayas. Results show that over 73% of the respondents have high consciousness level. It is concluded in this study that majority of the students in UP Visayas are highly conscious of feminism in feminist-themed films; are conscious of the concept of feminism or can easily identify it in feminist-themed movies.
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    The notions of masculinity in selected Filipino mainstream films from 1982 to 2002
    Badinas, Sally Rose; Martinez, Charissa Mae (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2003-03)
    This is a descriptive study of the notions of masculinity in selected Filipino mainstream films from 1982 to 2002. Data was gathered through random selection of 24 Filipino Mainstream films, with 8 films representing every 7 years. At most three characters in each film were studied to arrive at the notions of masculinity in the selected medium. Findings revealed that the notions of masculinity are limited only to the Macho and Typical end of the Masculinity-Femininity Spectrum. As gender analysis was used to analyze the results, the conclusion arrived at stated the narrowness of Filipino male movie themes pointing out to the lack of openness of the Filipino society to alternative behavioral patterns to govern the upbringing of the Filipino man. A critical understanding of the representations of masculinity along the cultural spectrum was suggested to produce a more substantive result in related studies in the future.
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    Portrayals of women and feminist issues on feminist -themed Filipino movies: A content analysis
    Alba, Phoebe Ann A.; Basa, Cyprian Jade L. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2016-05)
    This descriptive study analyzed two feminist-themed movies in the Philippines in terms of their portrayals of women and issues concerning women. Specifically, this study sought to examine how women were portrayed in the selected movies using (1) characterlevel analysis, which included observation of personal characteristics, appearances, and gender roles portrayed by the female characters); and, (2) scene-level analysis, which identified issues of sexualization, subordination, underrepresentation, violence, and acts of empowerment. This study also explored how these portrayals of women and feminist issues relate to the social realities of the films’ milieu. The findings revealed that there were some disparities between Sister Stella L. and Crying Ladies in terms of their portrayal of female characters, most notably in personal appearances and clothing. There were significant presentations of issues concerning women such as sexualization, underrepresentation, subordination, and violence. Female characters in both films were observed to have participated in traditional gender roles as well as in community politics and productive roles. These participation of women in non-traditional feminine roles in the films confirmed that female characters are empowered specifically in welfare, access, conscientization, participation, and control.
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    Physical characterization of aswang in Filipino films
    Arcenio, Ariane G.; Perez, Trexie Jane A. (Division of of Humanities , College of Arts and Sciences, University of the Philippines Visayas, 2013-04)
    This study is a content analysis on the physical characterization of aswang in Filipino films. This study determined how the Filipino films characterized aswang. Descriptive research design was used in analyzing and tallying the physical characteristics of aswang in the Filipino concept and in the eight Filipino films. Interviews with film directors were also utilized for additional support of this study. The concept of aswang emerged because of the demonization of women especially the babaylans, by the Spanish priests in the history of the Philippines. It was found out that in both Filipino concept and Filipino films, there were differences on the physical characterization of aswang. Films used the concept of aswang to perform the role of media which is to entertain the audience.