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UPV Theses and Dissertations

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Adviser: search.filters.advisor.Gonzales, Rey Carlo T.Committee Chair: search.filters.chair.Guilaran, Johnrev B.

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    Negrosanon, indi tikalon: The severed ties between Ilonggo and Negrense identity and the creation of Negrense "Tikalon" stereotype
    Caberte, Kizhi G. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2023-07)
    The Negrense "tikalon" stereotype has acquired popularity in recent years as a result of its virality on numerous social media platforms. The amusing banter between Ilonggos and Negrenses culminated in the return of the long-established "tikalon" stereotype. This piqued the researchers' curiosity in investigating the phenomenon and studying its emergence. This study investigates the "tikalon" stereotype of Negrense identity and how it can be explained using economic scarcity theory. The researchers argues that the Ilonggo people's creation of negative stereotypes about their Negrense neighbors, such as "tikalon" and "hambog" (proud), was a result of their insecurity over their own economic shortcomings in comparison to Negros Occidental’s economic affluence during the 1930s. When the sugar industry prospered in Negros due to a new generation of entrepreneurs who established big plantations at the time, it created a significant gap between Negros Occidental and Iloilo. This study utilizes narrative by Ilonggos in addition to a literary analysis of the works of Ramon Muzones through Ma. Cecilia Locsin-Nava. This paper asserts that Ilonggos who experienced economic deprivation channeled their anxiety and frustrations by creating the stereotypes about Bacolodnon in order to maintain and uphold the preexisting status quo.
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    Sa ginhalinan it Akean: A postcolonial analysis on the Talibong Tradition of the Taong Labas of the Municipalities of Libacao, Madalag, and Malinao, in the province of Aklan
    Bautista, Theodore Ricardo R. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2022-06)
    The Talibong is a fighting bolo of the Panay Bukidnon of the Central Panay mountain range, but is also common among the lowland agricultural communities in Aklan. Often characterized by carvings on its hilt and ornaments such as old coins embedded on its sheath, the Talibong is part of the daily attire of the Akeanon Bukidnon who live in the interiors of Libacao, Madalag, and Malinao; a hinterland people who, historically, have been ‘othered’ by the predominantly Christian lowlanders and branded with derogatory terms such as buyongs (savages/bandits), buki (rustic/uneducated), or mundos (of the mountains). As of the present, the Province of Aklan has made the Talibong into one of the key symbols of Akeanon cultural heritage - with it now being displayed in the offices of local government officials and representing the province in digital posters promoting Akeanon culture for ecotourism. By viewing the history of upland-lowland relations in the province through Francis Gealogo’s concept of the Taong Labas and Gayatri Spivak’s theory of ‘othering’, this thesis looks into how these hinterland communities were ‘othered’ during the colonial period up to contemporary times; identifying how the Talibong had once become a defining representation of a perceived savagery, backwardness, and culture of violence ascribed to these communities by those in the town centers. With the use of archival sources pertaining to accounts of these hinterland peoples in the late 19th century up to the present and key informant interviews with elders from the town centers and the very cultural bearers of the tradition, this thesis points out that the hinterland peoples of the interiors of Libacao, Madalag, and Malinao are historically the Taong Labas of Aklan, whose Talibong tradition has been appropriated by the centers, in their bid to construct a genuine local identity built upon the notion of indigeneity.
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    Sa pagkaon, pabisa, paghatag limos sa ila Jesus, Maria kag San Jose: The socio-religious tradition of Decinueve and the local politics of religious syncretism
    Badanoy, Christian Dave C. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2023-07)
    When the Spaniards arrived in the Philippine archipelago, they encountered the indigenous people who already had established religious systems and traditions. These systems, however, possessed a similar framework with Catholicism’s idea of saints, such that it permitted the Spanish friars an easy conversion of the indigenous people and their adoption of Catholicism. This is the crucial thread that led to the development of Miagao, Iloilo’s Decinueve tradition—a practice that resulted from the fusion of two different cultural products. At the heart of this celebration are the rituals that center on the Holy Family, represented by three people who were chosen by the San Jose devotee family. They are dressed for the “little theater” and are fed several dishes as the ritual necessitates, effectively becoming a vessel in which the host family’s promise of celebrating the Sagrada Familia annually is fulfilled. While the whole affair looks like a totally Roman Catholic practice, a closer examination reveals precolonial religious elements. Taking from Astrid-Sala Boza’s concept of Folk Catholicism and Neils Mulder’s concept of Localization, and by categorizing individual features of the Decinueve tradition into indigenous, foreign, or syncretic, this thesis argues that the practice is ultimately Folk Catholic. This thesis further investigates the socio-historical and cultural context of and within Miagao that permitted the syncretic tradition to be rationalized and internalized within Miagao’s Catholic social reality. The findings suggest that elements within the practice are recognizable, and the politics of its syncretism is four-fold. Thus, syncretic traditions are formed and take new meanings because of the politics surrounding them.
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    Synecdochical narrative of the sixth military district: World war II memories in the Balantang Memorial Cemetery National Shrine
    Bachoco, Kathryn Joy E. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2023-07)
    World War II commemorations in the Philippines have been found to be too preoccupied with the role of America in liberating the country from Japan. This research provides an examination of the historical background on the 6MD’s guerrilla resistance in Panay through archival research and key informant interviews with a 6MD WWII veteran, an Ilonggo WWII historian, and members of the Veterans Foundation of the Philippines (VFP)- Sons and Daughters Association (SDAI) in order to analyze the museum exhibit in the Balantang Memorial Cemetery National Shrine. Following the theories of Anthony Cohen and Ellen Badone on the levels and boundaries of group identity, this thesis argues that the remembrance of the Second World War in BMCNS is unique for it follows a theme surrounding the Sixth Military District’s (6MD) commander General Macario Peralta Jr., rather than the common narratives observed in most of the Philippines’ WWII memorials and monuments. Using the information from the 6MD and the PVAO’s Shrine Curator, the act of meaningmaking was done in interpreting the museum exhibit’s narratives. This work argues that because the BMCNS museum employs the person of Macario Peralta as a central figure in representing the history of the war in Panay, the museum is able to create an image of their group’s identity which differs from the common themes of war. This research introduces the concept of a Synecdochical Narrative which is a form of museum representation that utilizes a singular figure in order to elevate and make distinct the identity of the group from which they belong to.
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    Reverse appropriation of the state's cultural nationalism: The case of the Bantoanon indigenous cultural community and the indigenous people's rights act of 1997
    Balla, Airelle Shem E. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2023-07)
    Despite the growing corpus of research on cultural nationalism, the state's role in producing cultural nationalism in a post-colonial and non-western setting and the phenomena from a bottom-up perspective continues to be little explored. This study examines the conditions under which national political leaders pursued policies to protect the cultural heritage of the country's indigenous cultural communities for the aims of political nationalism. From a top- down perspective, the study looks at the context, intent, content, state's implementation and caveats of the Indigenous Peoples Rights Act of 1997. While from the bottom-up perspective, the study looks at how the Bantoanon indigenous community mobilizes and organizes to navigate through state bureaucracy and ‘reappropriate’ the state's nationalism to meet their cultural goals. To examine the phenomena, the study on the textual analysis of existing written primary and secondary sources supplemented with oral interviews of key informants and a review of available literature. It finds that at the national level, political motives partly animated the support of political leaders for indigenous cultural heritage protection policies; that the state used heritage protection policies to pursue its political purposes; and that the support for political leaders for indigenous cultural heritage protection policies was premised on the condition that it did not interfere with the state's interests and diminish the state's rights. While at the Bantoanon indigenous cultural communities level, it finds that despite the caveats embedded in the country's heritage protection policies, the indigenous cultural community could mobilize and assert its rights, thus enabling it to ‘reappropriate’ the state's political institutions to meet its own cultural objectives. This thesis, therefore, argues that the relationship between the two parties under IPRA is mutually beneficial, with both the state and indigenous cultural communities finding some utility in the law.
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    Isugid sa luy-a: "Professional" competence in Tibiaoanon's healing rituals and practices —from 1978 to 2021
    Alvarado, Samantha Joy A. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2022-07)
    Following the interactions between the local healer’s ethnomedical knowledge and professional’s modern medical practices, this study forwards the idea of professional competence, as a reciprocation of Cross et. al’s Cultural Competence theory, which shifts the focus of examination from medical experts to Tibiao traditional local healers who had subscribed and adopted the methods and principles of medical professionals. A documentation of the predominant healing rituals in Tibiao, Antique, namely, pangluy-a, pagbutbot, and pagtong-li as well as Tibiaoanon’s concept of health and illnesses was done to anchor the analysis of professional competence. Using the idea of Espanola on cultural competence, particularly, on cultural self-assessment and integration of knowledge in the health practices, this study analyzed the narratives of the respondents and proved that professional competence manifested in how manugbulongs or local healers assessed and acknowledged their views about their selves and about medical professionals and their practices throughout the period of 1978- 2021. Another manifestation of professional competence is the integration of medical knowledge through having referral systems to the doctor and the use of modern synthetic medicine to complement the healing rituals. Key informant interviews and participant observation were done with 15 respondents (manugbulongs and their patients) coming from Barangay Malabor, Barangay Martinez, and Barangay San Francisco Sur in Tibiao, Antique. Expanding on the cultural competence theory, professional competence, therefore, showed that manugbulongs did not necessarily resist and reject the influences of modernity but rather acknowledged and appropriated it to their own ethnomedical system.