Undergraduate Research Paper
Permanent URI for this collectionhttps://hdl.handle.net/20.500.14583/28
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Item Sa pagkaon, pabisa, paghatag limos sa ila Jesus, Maria kag San Jose: The socio-religious tradition of Decinueve and the local politics of religious syncretismBadanoy, Christian Dave C. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2023-07)When the Spaniards arrived in the Philippine archipelago, they encountered the indigenous people who already had established religious systems and traditions. These systems, however, possessed a similar framework with Catholicism’s idea of saints, such that it permitted the Spanish friars an easy conversion of the indigenous people and their adoption of Catholicism. This is the crucial thread that led to the development of Miagao, Iloilo’s Decinueve tradition—a practice that resulted from the fusion of two different cultural products. At the heart of this celebration are the rituals that center on the Holy Family, represented by three people who were chosen by the San Jose devotee family. They are dressed for the “little theater” and are fed several dishes as the ritual necessitates, effectively becoming a vessel in which the host family’s promise of celebrating the Sagrada Familia annually is fulfilled. While the whole affair looks like a totally Roman Catholic practice, a closer examination reveals precolonial religious elements. Taking from Astrid-Sala Boza’s concept of Folk Catholicism and Neils Mulder’s concept of Localization, and by categorizing individual features of the Decinueve tradition into indigenous, foreign, or syncretic, this thesis argues that the practice is ultimately Folk Catholic. This thesis further investigates the socio-historical and cultural context of and within Miagao that permitted the syncretic tradition to be rationalized and internalized within Miagao’s Catholic social reality. The findings suggest that elements within the practice are recognizable, and the politics of its syncretism is four-fold. Thus, syncretic traditions are formed and take new meanings because of the politics surrounding them.Item Synecdochical narrative of the sixth military district: World war II memories in the Balantang Memorial Cemetery National ShrineBachoco, Kathryn Joy E. (Division of Social Sciences, College of Arts and Sciences, University of the Philippines Visayas, 2023-07)World War II commemorations in the Philippines have been found to be too preoccupied with the role of America in liberating the country from Japan. This research provides an examination of the historical background on the 6MD’s guerrilla resistance in Panay through archival research and key informant interviews with a 6MD WWII veteran, an Ilonggo WWII historian, and members of the Veterans Foundation of the Philippines (VFP)- Sons and Daughters Association (SDAI) in order to analyze the museum exhibit in the Balantang Memorial Cemetery National Shrine. Following the theories of Anthony Cohen and Ellen Badone on the levels and boundaries of group identity, this thesis argues that the remembrance of the Second World War in BMCNS is unique for it follows a theme surrounding the Sixth Military District’s (6MD) commander General Macario Peralta Jr., rather than the common narratives observed in most of the Philippines’ WWII memorials and monuments. Using the information from the 6MD and the PVAO’s Shrine Curator, the act of meaningmaking was done in interpreting the museum exhibit’s narratives. This work argues that because the BMCNS museum employs the person of Macario Peralta as a central figure in representing the history of the war in Panay, the museum is able to create an image of their group’s identity which differs from the common themes of war. This research introduces the concept of a Synecdochical Narrative which is a form of museum representation that utilizes a singular figure in order to elevate and make distinct the identity of the group from which they belong to.